As Good As It Gets: 50 Reasons To Save Independent Music

by Various Artists

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Time In Love 03:29
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Reconsider 03:24
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Why We Fight 04:14
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Red Wine 03:09
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By The Briar 03:46
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Light Falls 03:50
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Lovers' Leap 03:26
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Winter Dust 02:48
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Pearl 03:53
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Done Is Done 02:41
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Chance 04:32
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Cry Wolf 03:07
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Man Flu 02:11
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Take Me Down 04:50
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18 03:36
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Alison Gross 05:11
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Hero 03:22
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about

Aldora Britain records proudly presents AS GOOD AS IT GETS, a 50 song digital charity compilation album in support of Help Musicians' Coronavirus Financial Hardship Fund.

Independent musicians have seen their livelihoods decimated over the last few months and there are no signs of improvement in the foreseeable future. These grassroots creators have been forgotten and overlooked. Music plays such a huge part in everyone's life, think of all the songs that you associate with your fondest memories. It is time to stand with the creators of this art form.

Aldora Britain Records and its Community stand with these incredible people endeavouring to live out their dreams. Please support this incredible cause with us.

credits

released August 19, 2020

Compiled by Tom Hilton. Artwork by Rik Bardsley of The Lucky Bag and Tip Top Pop Show. This album is dedicated to independent artists all over the world. Special thanks to Garry John Kane at Button Up Records and Phil Sorrell at Caretaker Studios.

All tracks used by permission of the artist, except for Daniel Meade, John McMustard, The Bar Dogs and Toy Sin Soldier used by permission of Garry John Kane at Button Up Records, and Doctor Bird used by permission of Colin Swan at Direct Records.

Tracks 1-10: 'As Good As It Gets' written by Daniel Meade, taken from 'When Was The Last Time' (2018). 'Still The Water Runs Deep' written by Lucas/Berry/Ormond/Yari, taken from 'Still The Water Runs Deep' (2020). 'I'm Going Home' written by Kane, taken from 'Beat Street' (2014). 'Don't Look Down' written by Grant Judges/Jamie Tongue, taken from 'Feel Like Getting High' (2019). 'Time In Love' written by Terence Cosgrave, taken from 'Record' (2019). 'Reconsider' written by Bobby Tarlton, published by RonsSon Music, taken from 'Part Of My Plan' (2018). 'Bright Lights City' written by Markus Leinweber, taken from '20-20 Vision' (2020). 'Why We Fight' written by Iona Macdonald/Paul Tasker, taken from 'We Are Made Of Light' (2019). 'Red Wine' written by Andrew O'Connor, taken from 'Brother Mine' (2020). 'Why Aren't These People My Friends?' written by Luke Smith/Ulysses, taken from 'On Safari' (2019).

Tracks 11-20: 'By The Briar' written by Kerry, taken from 'The Frailty Of Humans' (2020). 'Coal Black Lips' written by Toby Watson/The Lamplight Club, taken from 'Coal Black Lips' (2020). 'Light Falls' written by The Widows, taken from 'Popular Demand' (2019). 'Hipster Or Wolf Which Are You?' written by John McAlinden, taken from 'Sports Mixture' (2019). 'Grist For The Mill' written by Matt Steady, taken from 'Chasing Down Wolves' (2020). 'Lovers' Leap' written by Ben Avison, taken from 'Lovers Leap' (2020). 'The Greenland Whale Fishery' is a traditional composition, taken from 'Fifty Silver Bells And Nine' (2020). 'Winter Dust' written by Charlie Jones/Quinn Needham, taken from 'Found In Translation' (2018). 'Last Autumn Leaf' written by Cal Rush-Williams, taken from 'Cherry Hill' (2019). 'Pearl' written by The Bar Dogs, taken from 'Friday Night The Eagles Fly' (2017).

Tracks 21-30: 'Reverberatin' Love' written by D. Addison, taken from 'The Strange Blue Dreams' (2017). 'Big Mouthed Dog' written by Juke Joint Kings, taken from 'Riding With The Juke Joint Kings' (2018). 'Pushing Statues' written by James Edwyn, taken from 'High Fences' (2018). 'Sad Belly, Sad Night' written by Fintan McHugh, taken from 'Stardust And Bone' (2019). 'Resurrection Of My Dreams' written by Mani Perazzoli, taken from 'Resurrection Of My Dreams' (2020). 'Let's Go Surfin'' written by Anth Purdy, taken from 'Night Of The Cobra' (2019). 'You Don't Talk To Me' written by Paul Bassom, taken from 'Liquid' (2017). 'Done Is Done' written by Burgess/Wilkinson/Theatre Royal, taken from 'Incidental Friend EP' (2019). 'Chance' written by J P Worsfold, taken from 'The Boy & The Mountain' (2020). 'The Invisible Man' written by Bill Newton, taken from 'The Invisible Man' (2020).

Tracks 31-40: 'Cry Wolf' written by Suburban Toys, taken from 'Out Of The Blue' (2019). 'Man Flu' written by Paul Harwood/Mark Bending, taken from 'On The Loose' (2018). 'Take Me Down' written by Darren Tuck, taken from 'All The Good Good People' (2020). 'Sorry My Dear' written by Garrington T. Jones, taken from 'Dead Roses' (2019). 'The Water Tower' written by Shannon Reilly/Peter Conner, taken from 'A Secret Never Told' (2020). 'Stepping Stone' written by Andy Taylor Group, taken from 'Different Days' (2019). 'Thank Your Lucky Stars' written by Maze, taken from 'Montrose Way' (2020). 'What She Knows' written by Andy Pickering, taken from 'How Quick It Goes Away' (2019). 'Jennifer Knows' written by Prangnell, taken from 'Meanwhile Back In Medieval Britain' (2018). 'Never Forgive You' written by Connett/Rogers, taken from 'Don't Stand On Shadows' (2013).

Tracks 41-50: 'Memories Of Summer' written by Phil Matthews, taken from 'Escape From The Witchwood' (2020). '18' written by J. Gallacher, taken from 'Toy Tin Soldier' (2010). 'Stress Fracture' written by Harrowman, taken from 'Rite Of Way' (2019). 'Alison Gross' written by Arfur Doo/The Toerags, taken from 'Till Death Us Doo Part' (2019). 'Music For An English Afternoon Pt. 1' written by Nick Litherland, taken from 'Music For An English Afternoon' (2019). 'Santa Fe Buffet' written by B. Renwick, taken from 'Santa Fe Buffet' (2019). 'Satisfy My Soul' written by Cado, taken from 'Satisfy My Soul' (2019). 'Nothing's Beautiful' written by The Room Upstairs, taken from 'Bedhead Music' (2019). 'Hero' written by Paul Nowak, taken from 'Cowboy Songs' (2020). 'The Truth That You Find Nowhere Else' written by Richard Lucas, taken from 'The Truth That You Find Nowhere Else' (2020).

Track 51 (Bonus Track): 'That Day' written by John Donegan, taken from 'That Day' (2020).

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The worldwide hub of independent and underground music since 2013.

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